How To Find A Book Using Online Bookstores

Looking for improving your gaming skills by reading some of the best books on professional gaming that are around? That is a good idea, but, and as you may have already noticed, it is easier said than done. Once you go online to one of the many online bookstores such as Amazon and Barnes and Ruble and can type in a phrase you get a long list (if you are lucky) of potential books.

What do you do then? How do you know which book suits you? And if you even could figure that out, how do you know the book is worth anything? Many of the authors are pros, but, then, you can also easily land up on amateur writers who are just trying to make a buck. Exactly for this, we have compiled a list of five practical suggestions to help you.

1) Reviews and Opinions Matter.
One of the most interesting methods of screening authors and books is by reading what other readers have to say about those literary objects. Look up one of the many forums online that focus on books and either ask a direct question or read what others have said. Another option is to look up the book at different online bookstores such as Barnes and Noble and Amazon but also others such as The Literary Guild and Pickabook. (Look them at this list compiled by the World Wide Web Virtual Library: http://archive.museophile.org/bookstores) The reasons for doing this is that for every book you can read reviews from different sites. Do this and you are reducing the chances of reading only promotional material. It goes without saying that opt for those books that receive good reviews. Generally, a book will receive some bad reviews, but look at the majority viewpoint. Note that if the book you wish to buy is new, you will not find reviews. In such a case, you will just have to take a risk.

2) Be Specific.
One of the methods of searching for a book that interests you is by narrowing down the search by typing a long search term and not just one name. For instance, type down how to play Texas holdem in an online tournament instead of just Texas holdem. Such a search will result in only a few book options. First, look up reviews and views on it and then look at its size and focus of interest.

3) Check the Experience of the Author.
Buying a book is just like buying a car. Would you be willing to pay more for a Mercedes? Likewise, check the author or editor. If the author is unknown, tread very carefully. The book might be useless. But remember that its not enough that the author is well known or has years of professional expertise, they must be experienced in the exact field of the subject of the book.

4) Check the Printing History of the Author.
After checking the authors personal biography and his scope of knowledge as pertains to the issue in question, you should, then, check his style of writing. You will not want to fall asleep on the second page, do you? If their style of writing pleases you, try reading parts of their work. Read articles or portions of other books they have read. Do this to get an idea of whether they can write and whether they are capable of handling complicated issues and putting them across in easy to understand language.

5) The Price Factor.
When looking at books, the first thing (or the second) we tend to look at is the price. Yes, you should know whether you can afford to buy it or not, but do not make you decision based on whether a book is cheap or expensive. First, check whether the book is what you are looking for. Then, decided whether you can afford it and not vice versa. Likewise, do not just buy a book because its on sale. Remember that if a book is on sale it means that no one is buying it!

Its Good To Be A New Writer

There’s a rumor out there in the publishing world that an editor won’t even look at the work of a new writer. It might be true for certain types of writing, but after interviewing hundreds of editors, I’ve found that most are more open to new writers than you might think.

And there are a few major benefits to being a new writer too. So before you spend too much time trying to work out how you can appear to be a published professional writer when you’re not, consider taking advantage of your current position as a newcomer.

What are the advantages? Here are four positive points of being a new writer that will help you get work - and they all come direct from editors.

1. It’s Easier to Impress

Editor says…

“I really don’t mind new writers at all. If you’re new and act professionally, I’m usually willing to give you a go. I’d suggest that new writers just be honest about who they are.

If I get a fairly good article by a new writer, I’ll be impressed. To me, that’s my chance to discover new talent. That’s when I’ll contact the writer and try to help them. If I get a fairly good article by a new writer pretending to be an experienced writer, I will probably just issue a standard rejection.” -Evelyn, Magazine Editor

If you claim to be a professional and experienced writer, an editor is likely to expect a lot. That means it will take a lot to really impress them. Even a good article might not be enough to get their attention. But if you tell the truth and admit that you’re a new writer, it takes a lot less to impress. A new writer with a professional approach is something special – just sending a professional quality submission might even be enough to impress.

2. There’s Room to Grow

Editor says…

“When I get a good article from a new writer, I’m always very happy. Why? Because new writers with the right skills and attitude are wonderful for our magazine. They can be shaped to suit our style, they listen to instructions, they usually have a positive attitude. That’s the kind of writer I like to take on and mentor.” –Stephanie, Magazine Editor

If an editor knows that you’re a new writer, you’re giving them the chance to spot new talent. If you’re new and right for their publication, you might be taken in and mentored until you suit their style.

The same isn’t likely to happen if the editor thinks that you’re experienced. Instead of looking at your work and thinking that it shows potential, they’ll be assuming it’s the best that you can do.

3. Anything Else, And You Risk Losing Their Interest

Editor says…

“I would tell writers to be careful if they’re going to exaggerate. I know everyone does it on resumes. But if someone claims to have been a writer for twenty years and is pitching my low-paying mag, I’m going to wonder two things. First, I’m going to wonder if they’re lying. Second, I’m going to wonder why they’re not working for a higher paying magazine if they really have that much experience. If they’re not lying, then I have to assume that they’re just a bad writer. Either way, it doesn’t look good for them.” - Danielle, Magazine Editor

If you’re a new writer, you need to be targeting the right kinds of markets. And if you are targeting small markets, claiming years of experience is only going to make editors suspicious.

4. Attitude Matters

Editor says…

“It’s simple. Many seasoned writers pitching me have a bit of an attitude, a hint of suspicion, and often a streak of boredom. Fresh writers pitching me tend to have nothing but positive energy and enthusiasm. I’ll take the enthusiastic writer, please.” –Sam, Editor

If you can’t go in with experience, go in with enthusiasm. That might be the big advantage that gets you the job.