To be a successful writer and get noticed, being good often isn’t good enough. You have to shine. You have to have something that puts you above all others. Of course though, nobody is perfect. Everyone has faults and flaws. But everyone has talents and abilities too. What’s your talent?
Find your talent and focus on it. Develop it. Showcase it in your writing so it really shines through. Remember, one thing that stands out is far easier to notice than ten things that are good, but not great. Make sure your best skill stands out.
Stacey’s Story: Start With Something Special
I had my breakthrough while taking a break from writing. I was watching the movie Bring it On and decided to watch the bonus features. One of them was an interview with the director and he talked about how the screenplay got noticed because it opened with the cheer song. That stood out, that got their attention, that made them want to read the rest. I decided to take the same approach. I took chances with the start. I started with a letter, a poem, a snippet from a diary. It must have made the difference because with that one change, a manuscript that had been rejected 14 times got purchased. –Stacey, Novelist
Carmen’s Story: Use Your Strengths
I was told by my teachers and by readers that my dialogue was really strong. So I decided to stop hiding it away and I put it right out front. I made the first chapter of my novel almost all dialogue. It got the attention of an agent, who has since told me that the individuality of the first chapter told him that he had found a new writer with a clear sense of style. He took me on and is now trying to sell that sense of style to publishers. Even better for me, he’s not just trying to sell my first book, he’s trying to sell me as the next new thing, a young writer to look out for! –Carmen, Novelist
Editor Says: “Forget Modesty”
Writing is not a business where you can afford to be modest. You have to get in there and show what you’ve got. Whatever you do better than everyone else, show it off. Build your work around your best skill. Otherwise, you’re going to be lumped in with the rest of the writers that are good, but don’t stand out. –James, Editor
Editor Says: “I’m Looking for One Thing”
Many writers make the mistake of trying to show me everything they do well. Forget it. I’m glancing at hundreds of manuscripts a day. To catch my attention, you have to hit me between the eyes with one strong point that I can’t not notice. There will be time later to show me your other strengths. For the first contact, focus on making one clear point about yourself and make it a good one.
–Darryn, Editor
Susan’s Story: Is it Really a Flaw?
In the early days of Susan’s career, everyone advised her that she relied on dialogue too much. So she cut out the dialogue. She kept writing but found her work lacked energy. Years later, she decided to ignore all the advice. The novel came naturally to her and it was almost all dialogue. The book reviews praised her unique style and voice. Susan learned her lesson—never suppress what comes naturally to you. Remember, what comes naturally to you might be your greatest gift, not your greatest flaw.
Top Six Ways to Find Your Strength
1. Ask other people what stands out about your work.
2. Read some of your best work and make a list of what makes it good.
3. Read through the contents of a book about writing and ask yourself if there is an area you are good at.
4. Think about what other people have said about your work. Are there any comments that keep being repeated?
5. Ask yourself what you care about when you write.
6. What do you like about other people’s work? Often the things you notice in other people’s work are also the things that you are good at.
Showing posts with label writer. Show all posts
Showing posts with label writer. Show all posts
Tuesday, March 9, 2010
Wednesday, March 3, 2010
Its Good To Be A New Writer
There’s a rumor out there in the publishing world that an editor won’t even look at the work of a new writer. It might be true for certain types of writing, but after interviewing hundreds of editors, I’ve found that most are more open to new writers than you might think.
And there are a few major benefits to being a new writer too. So before you spend too much time trying to work out how you can appear to be a published professional writer when you’re not, consider taking advantage of your current position as a newcomer.
What are the advantages? Here are four positive points of being a new writer that will help you get work - and they all come direct from editors.
1. It’s Easier to Impress
Editor says…
“I really don’t mind new writers at all. If you’re new and act professionally, I’m usually willing to give you a go. I’d suggest that new writers just be honest about who they are.
If I get a fairly good article by a new writer, I’ll be impressed. To me, that’s my chance to discover new talent. That’s when I’ll contact the writer and try to help them. If I get a fairly good article by a new writer pretending to be an experienced writer, I will probably just issue a standard rejection.” -Evelyn, Magazine Editor
If you claim to be a professional and experienced writer, an editor is likely to expect a lot. That means it will take a lot to really impress them. Even a good article might not be enough to get their attention. But if you tell the truth and admit that you’re a new writer, it takes a lot less to impress. A new writer with a professional approach is something special – just sending a professional quality submission might even be enough to impress.
2. There’s Room to Grow
Editor says…
“When I get a good article from a new writer, I’m always very happy. Why? Because new writers with the right skills and attitude are wonderful for our magazine. They can be shaped to suit our style, they listen to instructions, they usually have a positive attitude. That’s the kind of writer I like to take on and mentor.” –Stephanie, Magazine Editor
If an editor knows that you’re a new writer, you’re giving them the chance to spot new talent. If you’re new and right for their publication, you might be taken in and mentored until you suit their style.
The same isn’t likely to happen if the editor thinks that you’re experienced. Instead of looking at your work and thinking that it shows potential, they’ll be assuming it’s the best that you can do.
3. Anything Else, And You Risk Losing Their Interest
Editor says…
“I would tell writers to be careful if they’re going to exaggerate. I know everyone does it on resumes. But if someone claims to have been a writer for twenty years and is pitching my low-paying mag, I’m going to wonder two things. First, I’m going to wonder if they’re lying. Second, I’m going to wonder why they’re not working for a higher paying magazine if they really have that much experience. If they’re not lying, then I have to assume that they’re just a bad writer. Either way, it doesn’t look good for them.” - Danielle, Magazine Editor
If you’re a new writer, you need to be targeting the right kinds of markets. And if you are targeting small markets, claiming years of experience is only going to make editors suspicious.
4. Attitude Matters
Editor says…
“It’s simple. Many seasoned writers pitching me have a bit of an attitude, a hint of suspicion, and often a streak of boredom. Fresh writers pitching me tend to have nothing but positive energy and enthusiasm. I’ll take the enthusiastic writer, please.” –Sam, Editor
If you can’t go in with experience, go in with enthusiasm. That might be the big advantage that gets you the job.
And there are a few major benefits to being a new writer too. So before you spend too much time trying to work out how you can appear to be a published professional writer when you’re not, consider taking advantage of your current position as a newcomer.
What are the advantages? Here are four positive points of being a new writer that will help you get work - and they all come direct from editors.
1. It’s Easier to Impress
Editor says…
“I really don’t mind new writers at all. If you’re new and act professionally, I’m usually willing to give you a go. I’d suggest that new writers just be honest about who they are.
If I get a fairly good article by a new writer, I’ll be impressed. To me, that’s my chance to discover new talent. That’s when I’ll contact the writer and try to help them. If I get a fairly good article by a new writer pretending to be an experienced writer, I will probably just issue a standard rejection.” -Evelyn, Magazine Editor
If you claim to be a professional and experienced writer, an editor is likely to expect a lot. That means it will take a lot to really impress them. Even a good article might not be enough to get their attention. But if you tell the truth and admit that you’re a new writer, it takes a lot less to impress. A new writer with a professional approach is something special – just sending a professional quality submission might even be enough to impress.
2. There’s Room to Grow
Editor says…
“When I get a good article from a new writer, I’m always very happy. Why? Because new writers with the right skills and attitude are wonderful for our magazine. They can be shaped to suit our style, they listen to instructions, they usually have a positive attitude. That’s the kind of writer I like to take on and mentor.” –Stephanie, Magazine Editor
If an editor knows that you’re a new writer, you’re giving them the chance to spot new talent. If you’re new and right for their publication, you might be taken in and mentored until you suit their style.
The same isn’t likely to happen if the editor thinks that you’re experienced. Instead of looking at your work and thinking that it shows potential, they’ll be assuming it’s the best that you can do.
3. Anything Else, And You Risk Losing Their Interest
Editor says…
“I would tell writers to be careful if they’re going to exaggerate. I know everyone does it on resumes. But if someone claims to have been a writer for twenty years and is pitching my low-paying mag, I’m going to wonder two things. First, I’m going to wonder if they’re lying. Second, I’m going to wonder why they’re not working for a higher paying magazine if they really have that much experience. If they’re not lying, then I have to assume that they’re just a bad writer. Either way, it doesn’t look good for them.” - Danielle, Magazine Editor
If you’re a new writer, you need to be targeting the right kinds of markets. And if you are targeting small markets, claiming years of experience is only going to make editors suspicious.
4. Attitude Matters
Editor says…
“It’s simple. Many seasoned writers pitching me have a bit of an attitude, a hint of suspicion, and often a streak of boredom. Fresh writers pitching me tend to have nothing but positive energy and enthusiasm. I’ll take the enthusiastic writer, please.” –Sam, Editor
If you can’t go in with experience, go in with enthusiasm. That might be the big advantage that gets you the job.
Tuesday, January 19, 2010
What Is Your Point?
What is your point? What do you do if you don't know? Why does it matter?
It is important for every writer to know their point because the writer is in charge of the reader's experience. If the writer doesn't know the point then the reader surely won't. That means at best, a writer without a point will soon be a writer without a reader. At worst, a writer without a point can end up with a confused and perhaps even angry reader.
Making the point of your article or essay clear and apparent is how you capture the interest of your reader and it is how you keep the interest of your reader.
However knowing your point and making it clear and apparent are sometimes easier said than done. So what is a writer to do?
Finding your point is as easy as 1-2-3.
First, identify your topic. Simply make a note of the subject you plan to address. Narrow it down to one word or simple phrase. For example, you plan to write an article about potty training. That makes potty training your phrase.
Second, ask yourself a pertinent question about that topic. For example, how can you make potty training easy? Now turn that question into a statement, such as "You can make potty training easy... " This is your point. But you aren't done yet.
Third, you will need to expand and support your point so you must come up with three supporting points. Remember, not only do you have to make your point, but you also need to make it clear and apparent. That is why support is important. So think of three points you can make to support your point. For example, keeping the pressure low, making it fun, and giving it time. Finally, you join your statement with the three points and use a preposition to join the two together. In this case probably "by" would work best and often "because" is a good choice. Some other prepositions include about, during, through, under, and with.
Now you have a good introductory paragraph:
You can make potty training easy by keeping the pressure low, making it fun, and giving it time.
Not only do you have a point that you will be able to make clear and apparent to the reader, but you also have a road map for your article or essay. Simply expand on your introduction and expand on each supporting point in turn and you will have a clear point, good organization, and solid support.
Taking a few minutes to plan out your point in this manner can be well worth spending the time as it will make your writing easier. It will also make the reading easier as well. And that is the point of this article.
It is important for every writer to know their point because the writer is in charge of the reader's experience. If the writer doesn't know the point then the reader surely won't. That means at best, a writer without a point will soon be a writer without a reader. At worst, a writer without a point can end up with a confused and perhaps even angry reader.
Making the point of your article or essay clear and apparent is how you capture the interest of your reader and it is how you keep the interest of your reader.
However knowing your point and making it clear and apparent are sometimes easier said than done. So what is a writer to do?
Finding your point is as easy as 1-2-3.
First, identify your topic. Simply make a note of the subject you plan to address. Narrow it down to one word or simple phrase. For example, you plan to write an article about potty training. That makes potty training your phrase.
Second, ask yourself a pertinent question about that topic. For example, how can you make potty training easy? Now turn that question into a statement, such as "You can make potty training easy... " This is your point. But you aren't done yet.
Third, you will need to expand and support your point so you must come up with three supporting points. Remember, not only do you have to make your point, but you also need to make it clear and apparent. That is why support is important. So think of three points you can make to support your point. For example, keeping the pressure low, making it fun, and giving it time. Finally, you join your statement with the three points and use a preposition to join the two together. In this case probably "by" would work best and often "because" is a good choice. Some other prepositions include about, during, through, under, and with.
Now you have a good introductory paragraph:
You can make potty training easy by keeping the pressure low, making it fun, and giving it time.
Not only do you have a point that you will be able to make clear and apparent to the reader, but you also have a road map for your article or essay. Simply expand on your introduction and expand on each supporting point in turn and you will have a clear point, good organization, and solid support.
Taking a few minutes to plan out your point in this manner can be well worth spending the time as it will make your writing easier. It will also make the reading easier as well. And that is the point of this article.
Why I Killed My Muse -- And Why You Should Too
Last night, in the dark following midnight I killed my muse (suffocating her quietly with a pillow) and buried her in my back garden. Today I will plant a roses to hide the grave. No one will ever know and I will be free at last of her insidious hold and I will be able to write what I want.
Why did I resort to this deed? After all my muse was lovely and gave me many gifts over the years. She saw me through dark times and helped mark the joyous ones. Many times she inspired me to reach for more and push myself beyond what I thought I could achieve. Knowing all this why would I kill the very source of my inspiration?
Oh, I had my reasons...
It started out quietly. As I would sit at my keyboard or curl up with a notebook, she would perch on my shoulder as was her wont to do. "I don't think you meant to write that sentence," she would whisper in my ear. "That doesn't sound like the best description," she would snipe. "Is that the best you can do?" she would sneer.
I took to sneaking my writing in when I knew she was occupied elsewhere. She never could resist critiquing the writing in the morning paper if it was left spread on the kitchen table. That way I could sometimes write several pages before she began her commentary. "Surely you can find a better way to approach this topic," her mocking voice would interrupt. "That has been so done."
Soon I was spending more time arguing with her, defending my words, than I was writing. Then my production slowed to a crawl as I would overanalyze each word choice and sentence formation before committing it to screen or paper. All that did was give her more time to find fault with the few words I did write.
Despite urgent deadlines and simmering ideas, I started avoiding the computer and all writing materials. I cleaned my house. I read for hours on end. I made plans for a new garden. The need the write built within me but always my muse was watching me with those eyes -- so judgmental, so critical. I would turn away from my office with a sigh and find some other project.
When I could no longer suppress the urge to write I locked her in a closet and had a wonderfully productive morning. I was so happy with my work that I let her out as I went out the door to run some errands. That just made her mean.
She was waiting for me at the door when I came home. Her glasses had slid nearly to the tip of her nose and somehow she'd found a red pencil (I certainly never brought any such thing into the house). I shuddered at the sight of my happy morning's labor marred by vicious slashes of red. The red blurred before my eyes into a crimson haze and then...
Perhaps it is better that you don't know the details. Suffice it to say that I have selected several old-fashioned roses with luscious aroma and delicate coloring. I am sure they will provide both inspiration and comfort.
Despite my late hours and the physical toil involved, this morning I awoke early and have already logged in several hours at the keyboard. My fingers flew across the keys and after completing several long-stagnant projects I outlined notes for some new. Writing is joyful and rewarding again.
I think I might dedicate this next book to the memory of my muse. Perhaps it will serve as a warning to those other muses out there who are on the verge of going over the edge. Perhaps it will inspire those other writers out there who have let their muse stifle their creativity and shove them right into writer's block. Maybe my warning will mean those other muses and their writers will find a way to work things out.
Why did I resort to this deed? After all my muse was lovely and gave me many gifts over the years. She saw me through dark times and helped mark the joyous ones. Many times she inspired me to reach for more and push myself beyond what I thought I could achieve. Knowing all this why would I kill the very source of my inspiration?
Oh, I had my reasons...
It started out quietly. As I would sit at my keyboard or curl up with a notebook, she would perch on my shoulder as was her wont to do. "I don't think you meant to write that sentence," she would whisper in my ear. "That doesn't sound like the best description," she would snipe. "Is that the best you can do?" she would sneer.
I took to sneaking my writing in when I knew she was occupied elsewhere. She never could resist critiquing the writing in the morning paper if it was left spread on the kitchen table. That way I could sometimes write several pages before she began her commentary. "Surely you can find a better way to approach this topic," her mocking voice would interrupt. "That has been so done."
Soon I was spending more time arguing with her, defending my words, than I was writing. Then my production slowed to a crawl as I would overanalyze each word choice and sentence formation before committing it to screen or paper. All that did was give her more time to find fault with the few words I did write.
Despite urgent deadlines and simmering ideas, I started avoiding the computer and all writing materials. I cleaned my house. I read for hours on end. I made plans for a new garden. The need the write built within me but always my muse was watching me with those eyes -- so judgmental, so critical. I would turn away from my office with a sigh and find some other project.
When I could no longer suppress the urge to write I locked her in a closet and had a wonderfully productive morning. I was so happy with my work that I let her out as I went out the door to run some errands. That just made her mean.
She was waiting for me at the door when I came home. Her glasses had slid nearly to the tip of her nose and somehow she'd found a red pencil (I certainly never brought any such thing into the house). I shuddered at the sight of my happy morning's labor marred by vicious slashes of red. The red blurred before my eyes into a crimson haze and then...
Perhaps it is better that you don't know the details. Suffice it to say that I have selected several old-fashioned roses with luscious aroma and delicate coloring. I am sure they will provide both inspiration and comfort.
Despite my late hours and the physical toil involved, this morning I awoke early and have already logged in several hours at the keyboard. My fingers flew across the keys and after completing several long-stagnant projects I outlined notes for some new. Writing is joyful and rewarding again.
I think I might dedicate this next book to the memory of my muse. Perhaps it will serve as a warning to those other muses out there who are on the verge of going over the edge. Perhaps it will inspire those other writers out there who have let their muse stifle their creativity and shove them right into writer's block. Maybe my warning will mean those other muses and their writers will find a way to work things out.
Winning Freelance Work: Beat The Skeptic
I’ve spoken to hundreds of editors, employers, and project managers about how they choose a freelancer for a job. Whether they were reviewing job applications or considering project bids, they all had one thing in common. As every one of them started to look at the applications, they had their skeptic’s hat on.
How a Project Manager Thinks
Here are a few quotes from project managers and employers to show you exactly how they think.
1. Jaime, Editor – “The First Elimination”
My process of judging proposals is one of elimination. The first step is about a general impression. If it’s vague and unconvincing – eliminate. If it’s fluffed up but with no substance – eliminate. If it has real details and seems credibale – keep. Many times this process only leaves one person. That’s how easy it is to get a job – be credible and convincing.
2. Jacob, Project Manager - “I only believe what I see for myself.”
I read every proposal while questioning what I’m being told. Some people make things up. Most people exaggerate. Many people think they’re better than they really are. I’ve been working with contractors for a long time and I’ve found that the only way you can judge a person is by what they do.
3. Randy, Project Owner – “Don’t Tell Me, Show Me”
Don't try and impress me with ramblings. Lots of positive words strung together does nothing for me. You know, "I am keen, reliable, prompt, easygoing, articulate, generous, kind, competitive, athletic..." I have no reason to believe you’re any of those things. If you want me to pick you for the project, you have to do more than just tell me. You have to prove it to me.
How to Beat the Skeptic
It’s not about what you say, it’s about how you say it. Three small changes will make all the difference to your credibility and will get you more work more often.
1. Use Real Evidence
It’s always better to sell yourself with a real example.
Not so good – “I am reliable.”
Much better – “You will never be left wondering how the project is going because I will provide timely updates to keep you informed.”
2. Use Your Results
Telling project managers about your past results is also a good way to sell yourself.
Not so good – “I write effective web site copy.”
Much better – “With my new and improved content, my last client increased their sales by 120% in the first month.”
The second statement clearly communicates the quality and effectiveness of the work. And at the same time, it’s likely to excite the project manager into thinking that the same result could occur for them.
3. Be Specific
If you can use facts and figures to make your point, do so.
Not so good – “Most of my business is repeat, showing that my clients are happy with the service I provide.”
Much better – “96% of new clients have returned to use my services again.”
Not so good – “I have completed various similar projects.”
Much better – “I have completed 19 similar projects in the last year.”
Make these three simple changes to your bids and job applications and you’ll win more clients, jobs, and projects.
How a Project Manager Thinks
Here are a few quotes from project managers and employers to show you exactly how they think.
1. Jaime, Editor – “The First Elimination”
My process of judging proposals is one of elimination. The first step is about a general impression. If it’s vague and unconvincing – eliminate. If it’s fluffed up but with no substance – eliminate. If it has real details and seems credibale – keep. Many times this process only leaves one person. That’s how easy it is to get a job – be credible and convincing.
2. Jacob, Project Manager - “I only believe what I see for myself.”
I read every proposal while questioning what I’m being told. Some people make things up. Most people exaggerate. Many people think they’re better than they really are. I’ve been working with contractors for a long time and I’ve found that the only way you can judge a person is by what they do.
3. Randy, Project Owner – “Don’t Tell Me, Show Me”
Don't try and impress me with ramblings. Lots of positive words strung together does nothing for me. You know, "I am keen, reliable, prompt, easygoing, articulate, generous, kind, competitive, athletic..." I have no reason to believe you’re any of those things. If you want me to pick you for the project, you have to do more than just tell me. You have to prove it to me.
How to Beat the Skeptic
It’s not about what you say, it’s about how you say it. Three small changes will make all the difference to your credibility and will get you more work more often.
1. Use Real Evidence
It’s always better to sell yourself with a real example.
Not so good – “I am reliable.”
Much better – “You will never be left wondering how the project is going because I will provide timely updates to keep you informed.”
2. Use Your Results
Telling project managers about your past results is also a good way to sell yourself.
Not so good – “I write effective web site copy.”
Much better – “With my new and improved content, my last client increased their sales by 120% in the first month.”
The second statement clearly communicates the quality and effectiveness of the work. And at the same time, it’s likely to excite the project manager into thinking that the same result could occur for them.
3. Be Specific
If you can use facts and figures to make your point, do so.
Not so good – “Most of my business is repeat, showing that my clients are happy with the service I provide.”
Much better – “96% of new clients have returned to use my services again.”
Not so good – “I have completed various similar projects.”
Much better – “I have completed 19 similar projects in the last year.”
Make these three simple changes to your bids and job applications and you’ll win more clients, jobs, and projects.
Monday, January 18, 2010
Writing -- Is It A Skill, Craft, or Gift?
Whenever you gather writers together they talk about writing. There are many different types of writers. Those who prefer to compose in long-hand or can only write on an old-fashioned manual typewriter. Those who write to music, demand complete silence, or create best surrounded by noise. You have the writers who must plan and outline before they can begin and those who find even talking about a project before it is drafted can stifle their creativity. But one of the most controversial divisions among writers is about whether writing is a skill, craft, or gift.
I admit that I like to stir the fire a bit because I can argue all three points and depending on how my own writing is going at the moment I may find that one viewpoint carries more weight for me personally.
I know as a teacher of writing that writing is a skill. I have taken people, young and old, who loathed writing and believed they would never be able to write -- and provided them with basic tips and tools to become good basic writers. I have taken good basic writers and given them the support and direction they've needed to become skilled writers. I've watched skilled writers with practice and determination become proficient writers. I have seen this in the classroom, at writing conferences, and in newsrooms. I have witnessed this transformation enough to know that writing is a skill that can be taught and a skill that can be learned.
I know as a writer, editor, and reader that writing is a craft. As the definition reads to craft is "to make or produce with care, skill, or ingenuity". A skilled writer can capture our interest and convey information, but a writer can also craft a story, poem, or essay that touches our emotions as well as our brains. For those who have gone beyond simply skilled to be craftsmen and craftswomen they can rely on their knowledge, experience, and instinct to create writing that does more than simply delivers -- it also sings.
I know as a writer and reader that writing is a gift. Some writers simply possess a special quality that allows them to step beyond and above the huddled masses. For some it is a special ability to shape words into images and ideas and for some it is a unique vision of this world (or another) that speaks to our souls in a way others cannot.
Are writers born or made? Many people argue that some gifted writers are born, but I am not convinced. Perhaps you could have some predisposition but I believe that writers are made. They are made in the rocking chair when Mother reads "Goodnight, Moon"; they are made under the cover with a flashlight when you simply must finish "The Hobbit" for the first time; they are made when you proudly pocket your first library card; they are made when you fill your first notebook; they are made when you submit your first poem, article or story for publication; they are made when you receive your first rejection; and they are made when you turn the computer on every day to write.
I believe some writers are supremely gifted but even so does that mean it was a gift given to them whole or was it a gift developed through years of reading, writing, talking, and thinking about words?
So, I believe, writing is all three -- a skill, a craft, and a gift. Some writers find their ability spans all three while others never progress past the level of skill.
I admit that I like to stir the fire a bit because I can argue all three points and depending on how my own writing is going at the moment I may find that one viewpoint carries more weight for me personally.
I know as a teacher of writing that writing is a skill. I have taken people, young and old, who loathed writing and believed they would never be able to write -- and provided them with basic tips and tools to become good basic writers. I have taken good basic writers and given them the support and direction they've needed to become skilled writers. I've watched skilled writers with practice and determination become proficient writers. I have seen this in the classroom, at writing conferences, and in newsrooms. I have witnessed this transformation enough to know that writing is a skill that can be taught and a skill that can be learned.
I know as a writer, editor, and reader that writing is a craft. As the definition reads to craft is "to make or produce with care, skill, or ingenuity". A skilled writer can capture our interest and convey information, but a writer can also craft a story, poem, or essay that touches our emotions as well as our brains. For those who have gone beyond simply skilled to be craftsmen and craftswomen they can rely on their knowledge, experience, and instinct to create writing that does more than simply delivers -- it also sings.
I know as a writer and reader that writing is a gift. Some writers simply possess a special quality that allows them to step beyond and above the huddled masses. For some it is a special ability to shape words into images and ideas and for some it is a unique vision of this world (or another) that speaks to our souls in a way others cannot.
Are writers born or made? Many people argue that some gifted writers are born, but I am not convinced. Perhaps you could have some predisposition but I believe that writers are made. They are made in the rocking chair when Mother reads "Goodnight, Moon"; they are made under the cover with a flashlight when you simply must finish "The Hobbit" for the first time; they are made when you proudly pocket your first library card; they are made when you fill your first notebook; they are made when you submit your first poem, article or story for publication; they are made when you receive your first rejection; and they are made when you turn the computer on every day to write.
I believe some writers are supremely gifted but even so does that mean it was a gift given to them whole or was it a gift developed through years of reading, writing, talking, and thinking about words?
So, I believe, writing is all three -- a skill, a craft, and a gift. Some writers find their ability spans all three while others never progress past the level of skill.
Writing For Fun and Profit
Every writer dreams of the day when they can profit from their writing. While income opportunities abound for writers, each method has drawbacks.
Newspaper and magazine reporters can make a good living but their subject matter is often closely regulated and directed. Corporate writing can be even more lucrative but even more tightly controlled. Freelance writing offers more freedom but is also more uncertain. Publishing books is even more uncertain. So what is a writer to do?
Forget all those old-school writing methods and focus on the Internet. Don't write for anyone but yourself. You really can profit from writing only about what interests you. Don't worry about the market or the editors. Write for yourself. Not only will it be more fun and rewarding for your soul but for your checking account as well.
I am going to share an easy (and cheap) 10-step formula that can help you start your own writing business today, but first I want to share one important fact.
This is not a get-rich-quick scheme. It will take some time to earn, perhaps as long as three months to begin turning a profit, but if you keep working at it you should see your income grow exponentially each month and you should be able to count on that income and know what you have to do to increase it. You will have total control over your income and that is very powerful.
1. Create a blog account at one of the free blogging sites available online (we used to use http://Blogger.com but there are many other good options). This will serve as your Internet base. It really is the cheapest and easiest way to get online today. Yes, you could create a free web site at one out of the many available, but blogs are more attractive to the search engines. Plus they offer you the ability to personalize it, but most of your energy will be spent on content which is the king of the Internet and the real reason you want an Internet presence.
2. Now sign up for a free ClickBank affiliate account which will give you immediate access to something to sell.
3. Sign up for a contextual or pay-per-click advertiser such as Google, Yahoo, Revenue Pilot, or SearchFeed and you'll start earning from visitors as well as customers.
4. Develop your blog. Make 10 your immediate goal then work your way up to 25, 50 and 100 and so on. Your entries can be your opinions, thoughts, or ramblings; poems or short stories; or articles.
5. Promote your blog through article marketing, link development and submitting your blog feed. I would suggest your primarily focus on article marketing as if offers the ability to not only develop links but also delivers traffic plus as a writer it is easy for you to create articles or use a selection of the material you've already created for your blog.
Yes, it really is that simple and while you can later grow by buying your own domain name (or names) and publishing your blog on your own site you do not need (and likely should avoid) investing money in expensive tools
Getting started on the web can be free (as you see above) or inexpensive if you concentrate on what you really need. The simple truth is that you don't need a lot of fancy, expensive tools and programs. In the long run a domain name is a good investment. A domain name will cost you between $5 and $10 a year depending on whether you go .com or .info (or one of the many other options available). You don't need to find a web host or create a site. Simply point the domain at your blog for now and continue with the development and promotion of your blog. The advantage of owning your own domain name is simply that later when you have the money, time, and knowledge to develop your web site that domain name will already exist and have filtered through the search engines. It also offers some marketing advantages that a free blog cannot.
At some point you may decide you want more flexibility and control than a free blog can offer and that is when you will want to run your own site. You can find a good web host for as little as $5 a month and shouldn't pay more than $20 a month for a reputable host that offers all the tools and utilities you might need for your current site--including blog software. Maybe down the line you'll need to upgrade but by then you'll know your income and your needs.
Really the only other regular expense that you might consider to make your Internet business complete would be a mailing list tool. You can do this for just $20 a month and it will be worth every penny for sales, customer service, and promotion. But this is not necessary to start out and you may decide that it isn't important to your efforts so you can skip it entirely.
Once you have your blog set up and monetized (by offering ClickBank products, advertising, and/or selling text links) then you are in a position to begin profiting from your writing. The way to profit it to increase your traffic so you need to get serious about your article marketing efforts because each article you distribute will generate immediate traffic and create back links for search engine optimization. Also you need to continue to grow your blog by adding fresh content regularly. This will create repeat visitors as well as bring the search engines back again and again. Simply publishing new articles and new blog entries each week will increase your traffic. The more articles and entries you create -- the more traffic you will generate.
Once you have found your rhythm with your existing blog you may well decide to branch out and create a second blog on a different or related topic. Now you should be able to work even faster because you are more experienced but likely more motivated as well because you can see just how rewarding it can be to write for fun and profit.
Newspaper and magazine reporters can make a good living but their subject matter is often closely regulated and directed. Corporate writing can be even more lucrative but even more tightly controlled. Freelance writing offers more freedom but is also more uncertain. Publishing books is even more uncertain. So what is a writer to do?
Forget all those old-school writing methods and focus on the Internet. Don't write for anyone but yourself. You really can profit from writing only about what interests you. Don't worry about the market or the editors. Write for yourself. Not only will it be more fun and rewarding for your soul but for your checking account as well.
I am going to share an easy (and cheap) 10-step formula that can help you start your own writing business today, but first I want to share one important fact.
This is not a get-rich-quick scheme. It will take some time to earn, perhaps as long as three months to begin turning a profit, but if you keep working at it you should see your income grow exponentially each month and you should be able to count on that income and know what you have to do to increase it. You will have total control over your income and that is very powerful.
1. Create a blog account at one of the free blogging sites available online (we used to use http://Blogger.com but there are many other good options). This will serve as your Internet base. It really is the cheapest and easiest way to get online today. Yes, you could create a free web site at one out of the many available, but blogs are more attractive to the search engines. Plus they offer you the ability to personalize it, but most of your energy will be spent on content which is the king of the Internet and the real reason you want an Internet presence.
2. Now sign up for a free ClickBank affiliate account which will give you immediate access to something to sell.
3. Sign up for a contextual or pay-per-click advertiser such as Google, Yahoo, Revenue Pilot, or SearchFeed and you'll start earning from visitors as well as customers.
4. Develop your blog. Make 10 your immediate goal then work your way up to 25, 50 and 100 and so on. Your entries can be your opinions, thoughts, or ramblings; poems or short stories; or articles.
5. Promote your blog through article marketing, link development and submitting your blog feed. I would suggest your primarily focus on article marketing as if offers the ability to not only develop links but also delivers traffic plus as a writer it is easy for you to create articles or use a selection of the material you've already created for your blog.
Yes, it really is that simple and while you can later grow by buying your own domain name (or names) and publishing your blog on your own site you do not need (and likely should avoid) investing money in expensive tools
Getting started on the web can be free (as you see above) or inexpensive if you concentrate on what you really need. The simple truth is that you don't need a lot of fancy, expensive tools and programs. In the long run a domain name is a good investment. A domain name will cost you between $5 and $10 a year depending on whether you go .com or .info (or one of the many other options available). You don't need to find a web host or create a site. Simply point the domain at your blog for now and continue with the development and promotion of your blog. The advantage of owning your own domain name is simply that later when you have the money, time, and knowledge to develop your web site that domain name will already exist and have filtered through the search engines. It also offers some marketing advantages that a free blog cannot.
At some point you may decide you want more flexibility and control than a free blog can offer and that is when you will want to run your own site. You can find a good web host for as little as $5 a month and shouldn't pay more than $20 a month for a reputable host that offers all the tools and utilities you might need for your current site--including blog software. Maybe down the line you'll need to upgrade but by then you'll know your income and your needs.
Really the only other regular expense that you might consider to make your Internet business complete would be a mailing list tool. You can do this for just $20 a month and it will be worth every penny for sales, customer service, and promotion. But this is not necessary to start out and you may decide that it isn't important to your efforts so you can skip it entirely.
Once you have your blog set up and monetized (by offering ClickBank products, advertising, and/or selling text links) then you are in a position to begin profiting from your writing. The way to profit it to increase your traffic so you need to get serious about your article marketing efforts because each article you distribute will generate immediate traffic and create back links for search engine optimization. Also you need to continue to grow your blog by adding fresh content regularly. This will create repeat visitors as well as bring the search engines back again and again. Simply publishing new articles and new blog entries each week will increase your traffic. The more articles and entries you create -- the more traffic you will generate.
Once you have found your rhythm with your existing blog you may well decide to branch out and create a second blog on a different or related topic. Now you should be able to work even faster because you are more experienced but likely more motivated as well because you can see just how rewarding it can be to write for fun and profit.
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